Francisco Jose de Goya
Spanish Rococo Era/Romantic Painter and Printmaker, 1746-1828 Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).

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Francisco Jose de Goya The Milkmaid of Bordeaux. oil painting


The Milkmaid of Bordeaux.
1827 . Oil on canvas, 74 x68cm.Museo del Prado,Madrid
Painting ID::  10419
Francisco Jose de Goya
The Milkmaid of Bordeaux.
1827 . Oil on canvas, 74 x68cm.Museo del Prado,Madrid
   
   
     

Francisco Jose de Goya Scene of Bullfight oil painting


Scene of Bullfight
1824Oil on canvas 42.5 x 54 cm
Painting ID::  10420
Francisco Jose de Goya
Scene of Bullfight
1824Oil on canvas 42.5 x 54 cm
   
   
     

Francisco Jose de Goya Dona Isabel de Porcel. oil painting


Dona Isabel de Porcel.
Oil on canvas, 82 x 54.6 cm. National Gallery London
Painting ID::  10421
Francisco Jose de Goya
Dona Isabel de Porcel.
Oil on canvas, 82 x 54.6 cm. National Gallery London
   
   
     

Francisco Jose de Goya Woman with a Fan oil painting


Woman with a Fan
Oil on canvas, 103x84cm. Louvre
Painting ID::  10422
Francisco Jose de Goya
Woman with a Fan
Oil on canvas, 103x84cm. Louvre
   
   
     

Francisco Jose de Goya Portrait of the Countess of Chinchon. oil painting


Portrait of the Countess of Chinchon.
Oil on canvas, 220 x 140 cm. Galleria degli Uffizi, Florence,
Painting ID::  10423
Francisco Jose de Goya
Portrait of the Countess of Chinchon.
Oil on canvas, 220 x 140 cm. Galleria degli Uffizi, Florence,
   
   
     

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     Francisco Jose de Goya
     Spanish Rococo Era/Romantic Painter and Printmaker, 1746-1828 Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).

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